Saga Vol. 12
Brian K. Vaughan, writer; Fiona Staples, artist
Image Comics, 2025
Alana and her family have traded their camping tent for a traveling circus, where Hazel tries to be an animal trainer and Alana works security. Her brother, Squire (the one with the robot head), is going through a rough psychological patch, which results in him leaving the circus for a distant treatment center. Alana becomes involved with a bartender named Feld, who turns out to be more than he seems. Meanwhile, The Will and his wife, Gwen, are mourning the loss of their daughter, Sophie (so much so that he is not even interested in a tip about Alana’s whereabouts). Petrichor has reappeared and wants help in returning to the prison from which she escaped. And the Robot King announces the empire’s withdrawal from the coalition of Landfall and their new alliance with the moon of Wreath. Lots of potential fallout from this! The Landfall/Wreath conflict is a driving force in much of the Saga story. Staples continues to be the perfect artist for the book; this installment features several new, fanciful creature designs.
Gone
Jock
DSTLRY, 2024
Jock has had a long career as an artist. He has created interior art, but has been especially prolific as a cover artist. So it is a bit surprising that this science fiction story represents his debut writing and drawing a creator-owned project. The setting is an impoverished planet, where menial workers barely make a living resupplying starships. Thirteen-year-old Abi and a rough group of friends stow away on a huge luxury space-liner, looking to score rich cargo which could set them up for years. But some of her friends are not what they seem. They stage an armed uprising, and she finds herself branded a saboteur, desperately struggling to evade the ship’s crew. She had intended to take a shuttle back to the surface after the score, but instead finds herself on board for a long voyage. It lasts for years, Abi grows up onboard, and eventually encounters her estranged father. It is far from a loving reunion, and Abi finally returns home, reuniting with her mother. Abi is so aged and changed that her mother does not recognize her at first: the story ends there, so we can only imagine the rest. Jock’s art is energetic and expressive as always, but it is handicapped by the dark interiors, as well as by some characters that can be confusing due to their similar appearance.
About marksullivan5
Freelance Journalist & Musician; Senior Contributor, All About Jazz.com; writing on comics at mrvertigocomics.com & No Flying, No Tights.com
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